Mary Pettis

Mary Pettis Mary Pettis Mary Pettis

Mary Pettis

Mary Pettis Mary Pettis Mary Pettis
  • Home
  • About
    • Biography
    • Curriculum Vitae
    • Interviews and Articles
    • What People Are Saying
    • Definitions and An Essay
  • Portfolio
    • Studio Paintings
    • Plein Air/Alla Prima
    • In Private Collections
    • Commissioned Paintings
  • Workshops/Events
    • Workshops
    • Speaking Events
    • Mary's Materials List
    • Prior Solo Exhibitions
    • Prior Group Exhibitions
  • Visit Us
    • Gallery 366
  • Store
  • Contact
  • More
    • Home
    • About
      • Biography
      • Curriculum Vitae
      • Interviews and Articles
      • What People Are Saying
      • Definitions and An Essay
    • Portfolio
      • Studio Paintings
      • Plein Air/Alla Prima
      • In Private Collections
      • Commissioned Paintings
    • Workshops/Events
      • Workshops
      • Speaking Events
      • Mary's Materials List
      • Prior Solo Exhibitions
      • Prior Group Exhibitions
    • Visit Us
      • Gallery 366
    • Store
    • Contact
  • Home
  • About
    • Biography
    • Curriculum Vitae
    • Interviews and Articles
    • What People Are Saying
    • Definitions and An Essay
  • Portfolio
    • Studio Paintings
    • Plein Air/Alla Prima
    • In Private Collections
    • Commissioned Paintings
  • Workshops/Events
    • Workshops
    • Speaking Events
    • Mary's Materials List
    • Prior Solo Exhibitions
    • Prior Group Exhibitions
  • Visit Us
    • Gallery 366
  • Store
  • Contact

Mary's Typical Material List

Paints:*

Gamblin Fast Dry Titanium White (Formerly Quick Dry White)
Cadmium Yellow Light (OH)
Cad Orange Deep (G)
Cad Red Light (G)
Alizarin Crimson (G)
Transparent Oxide Red (R)
Viridian or Prussian Blue (R)
Ultramarine (Blue Violet) (OH)
Ivory Black (G)


(OH = Old Holland, G = Gamblin, R = Rembrandt)


*I am constantly changing my palette so this is not hard and fast


Brushes:
Bristle Flats, #4 - #12 (assortment depends on the size of your canvas)

Sable Mops, one or two for blending or smoothing textures
Sable Rounds, #4 or #6 for details and signing

Robert Simmons Signet, Grey Matters by Richeson, and anything Rosemary

Large and Medium Palette Knife


Medium:
Gamsol & Walnut Oil

Sometimes Liquin Original or Galkyd


Easels & Accessories:

Hughes Easels model #3000 (studio)

Soltek and pochade boxes (plein air)

Palm Palette (Outie) and/or Paint Saver Palette

OMS (Odorless Mineral Spirits) Canister

Black Nitrile Gloves

Umbrella


Panels:
Double oil primed Claessen's linen from Lakeside Studio Artist Panels

Mary Pettis, oil painter, expressive realism, plein air, realist landscape alla prima impressionist.

Oil Painters of America's "Lunch & Learn" - Material List

Paints:

Gamblin Fast Dry Titanium White (Formerly Quick Dry White)
Cadmium Yellow Light (OH)
Cad Orange Deep (G)
Transparent Oxide Red (R)
Pthalo or schevenings blue deep (OH)
Ultra Marine (Blue Violet) (OH)
Bright Violet (OH)

Ivory Black (G)


Medium:

Gamsol

 

Easel:

Soltek


Panels:
Double oil primed Claessen's linen from Lakeside Studio Artist Panels

Mary Pettis, oil painter, expressive realism, plein air, realist landscape alla prima impressionist.

Subscribe

Sign up to hear from us about new works, upcoming events, and workshops.

Contact Us

Submit questions and purchase inquiries here

Attach Files
Attachments (0)

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Cancel

Copyright © 2025 Mary Pettis Galleries - All Rights Reserved. No images may be copied or used without the written consent of the artist.  Powered by GoDaddy and JNK Art Partners.

Powered by

  • .